New On Kotaku: Looking For A Game That Is A Literary Masterpiece? Try Odin Sphere.
Odin Sphere is often overlooked in discussions of video game storytelling, despite it being a literary masterpiece.
In other words, Odin Sphere is a totally kickassingly good game with a freaking heart-breaking story and people need to stop saying, "Oh, oh Uncharted is the most amazing game with a story of all time, just like Bioshock and Alan Wake and Prince of Persia and Red Dead Redempdepcepmtion and a whole crap-ton of other Western games" because NO. Most of those are MEDIOCRE AT BEST. (*Ahem* From a writer's standpoint.) Odin Sphere is incredible, and should be hoisted up on shoulders as a shining example of video game storytelling. That is all.
READ MY ARTICLE! I love you.
[Kotaku: Looking For A Game That Is A Literary Masterpiece? Try Odin Sphere.]
Author: Lisa Foiles
Mega Man is Back in a Capcom Fighter!
(From the Capcom Unity YouTube Page)
Oh wait, you wanted him in Ultimate Marvel vs Capcom 3? Oh. Sorry. We put him in Street Fighter X Tekken. Oh...and you wanted the sprite style Mega Man. Oops. Sorry. We just made the model after the box art on the NES cart, not the traditional Mega Man look. Oh, and we added him in with Pac-Man in a mech suit, Cole from inFAMOUS, and Kuro and Toro, two characters that most US players have no idea who they are. Oh, and they're exclusive to the PS3 and PSVita. Hope you don't mind. What...
Continue reading...
Author: Stuart
Filmpocalypse #4: Masters of Horror

There's that project you discuss with friends, probably over beers, that never comes to fruition. An idea you all love, believe in, and promise to dedicate time towards. Then, when the buzz wears off, or responsibility returns, it falls by the wayside — to be rekindled at the next gathering, and embarrassingly discarded repeatedly. Knowing this experience well, I curse my social circles from some pit of bitter jealousy deep within, for depriving me a Mick Garris.
Garris, a director with limited recognizable credits to his name, threw a dinner party in 2005 for his closest friends... who just so happened to be the biggest names in the world of horror: John Carpenter, Guillermo del Toro, Tobe Hooper, John Landis, and five others. Garris decided to create an anthology series with these guests, and it didn't take long for Showtime to pick up his pitch.
For thirteen episodes per season, Masters of Horror allowed each director to produce an hour-long film with a reasonable budget and no studio notes or involvement — a glorious opportunity for the names who invented the genre to explore concepts not appropriate for a full feature, and free of the budgetary gamble. With the kind of distribution offered by premium cable, I guarantee Stuart Gordon's episodes "Black Cat" and "H. P. Lovecraft's Dreams in the Witch-House" were seen by more Americans than his career theatrical numbers combined.
It was a fanboy wet-dream, mixed with one of the greatest business models of all time. (They sold each of these episodes as standalone films at full price. Anchor Bay, in the mid-2000s, I gave you entirely too much money.) The final product was what you'd expect: a less-consistent Tales from the Crypt, with flashes of brilliance amidst low budget gore and nudity. Masters of Horror proved why certain directors hadn't worked in years, whilst those with more recent success didn't give it their best.
Of the original run, two films dealing with the apocalypse have always stuck with me. One exemplified such idiocy, I was sure it would kill the series. The other was a perfect example of a compelling concept given its opportunity, fulfilling the promise of the show's thesis.
What a fantastic surprise to find both films share a director and a writer.
Author: Brock Wilbur
BestWorst Idea: Suitcases That Transform Into Scooters
Go go gadget SUITCASE SCOOTER! Wait, am I supposed to make an Inspector Gadget joke or a Transformers joke? Or how about jokes about running over children in airport terminals while screaming "I'M LATE, BITCH!"
I don't have anything to say about this invention because I don't have time to read articles as clearly ridiculous as this. So, honestly it could be a joke. I don't really care. It's a guy on a suitcase scooter, enough said. Read about it on your own time. PENNY! MAKE YOURSELF USEFUL AND GO GO GADGET ME A SANDWICH.
[DailyMail: US retailer invents suitcase that converts into a scooter]
Author: Lisa Foiles
Music…um…Tuesday: DJ Cutman Live at MAGFest X
Yes yes yes, I'm still working on my MAGFest stuff. It's been chaos since then. Just deal. But in the meantime, let me share one of the highlights of the show for me: DJ Cutman's set at 1 in the morning in the Friday night. Or technically Saturday morning. Whatever. I've been following Cutman since MAGFest last year when he was out in the dealer room all the time mixing on the fly. So I was super excited when he was announced as a main talent for MAGFest X, after many years doing exactly what was mentioned before. The mix above, which is the direct cut of what he played, is the example why GameChops 1 and the promo mix of GameChops 2 (because I'm that awesome) are constant in my car. So listen, enjoy, and head bob away. While I still procrastinate on all my MAGFest stuff...
Author: Stuart
Take That, SOPA: Entire Star Wars Film Made With Scenes Stitched Together By Fans
Creativity like this wouldn't exist if SOPA had passed. This is incredible - seriously, what an awesome effort put forth by everyone involved! Proud to be a Star Wars fan.
Author: Lisa Foiles
Chip Music News: 8 Bit Weapon’s New Album, Plus Weekly Beats 2012! Hot Damn!

WHATTUP JERKS!
I have red hot breaking news straight from the chip music community to deliver forth into your luscious ear holes.
1. 8 Bit Weapon's new album, Bits With Byte
My pals Seth and Michelle (a.k.a. ComputeHer!) are better known on the netterwebz and in iTunes libraries everywhere as 8 Bit Weapon, and they create some totally rad music with their GameBoys and other neat-o hardware that can sometimes double as Mario-playing machines. Their new album, Bits With Byte, is awesome, and I recommend you take a listen! They are cool people and even cooler musicians, so show some love.
Trash80, better known as my favorite chipmusic musician of all time ever EVER, is the genius behind the brand new Weekly Beats project. This concept involves musicians and artists everywhere composing one (1) song per week FOR THE REST OF ETERNITY. ...Or at least until the end of the year. This means you're bound to hear some really cool experimental stuff from really talented people. They're just moving into week 3, so you can easily catch up on the cool tunes already posted.
Author: Lisa Foiles
Filmpocalypse #3: The Divide
In glorious celebration of our inevitable demise, Brock reviews a different end-of-the-world film each Wednesday until 2013, or the Rapture, whichever comes first. (Okay, we're doing this one on Tuesday cause the Internet is on SOPA Blackout tomorrow, so get while the gettin's good.) Today, the director of Hitman totes redeems himself with The Divide.

Jean-Paul Satre said "Hell is other people," but in the post-apocalyptic world, his statement becomes a question.
End-of-the-world fiction is often built on the assumption that humanity is responsible for its own demise: we made our bed and now we must sleep in it, while it incinerates around us. But in the aftermath, where does one seek comfort? There is safety in numbers, and the re-birth of civilization is not a private endeavor. If our end product turned out to be self-annihilation, why rebuild that machine with the same parts?
Director Xavier Gens makes a case for abandoning humanity with The Divide (2012), a film which which re-invents the genre as a terrifying time-lapse history of our existence.
Author: Brock Wilbur









Your face after realizing I was correct in saying this week wasn't even going to come close to comparing to last week.




